THE INTRODUCTION OF MEDIUMS
Introduction of mediums
With his colour circle organised and his first, thin, pictorial layer completed, the next steps are to be discovered by introducing the mediums.
Brushing
Once the first layer of paint has been applied satisfactorily, it is possible to keep the reserve, i.e. to fix the masses on the canvas as you have decided, by brushing the canvas. Using a flat, clean brush, lightly dipped in mineral spirits, carefully brush the canvas without altering the paint, in order to even out the paint layer and avoid clumps (small lumps of material).
The final advantage of this trick is that it allows the painting to dry evenly, as the paints and mediums are mixed and dispersed evenly over the canvas.
Gloss Painting Medium
Increase the brilliance and transparency of your oils with our glossy painting medium. This essential oil medium is ready to use. It will help you add light and depth to your colours, while speeding up drying time by about an hour. Ideal for painting details and softening the paste, this medium brings a glossy look to your canvas.
Matt Painting Medium
To reduce the shiny effect of oil paint and obtain a matt finish in the style of the Impressionists, opt for Lefranc Bourgeois matt painting medium.
This medium transforms the finish of your paint without altering the quality of your colours. Made from wax and silica, it dries to a soft, even finish.
For even stronger effects, Xavier de Langlais egg medium is a traditional alternative. It adds creaminess to the oil, accelerates setting, and allows for layering effects. Its recipe is inspired by the Tempera technique used by primitive Italian painters, which is still favoured by some artists today.
